{"id":118983,"date":"2022-02-14T14:40:40","date_gmt":"2022-02-14T17:40:40","guid":{"rendered":"http:\/\/jornalperiscopio.com.br\/site\/?p=118983"},"modified":"2022-02-14T14:40:42","modified_gmt":"2022-02-14T17:40:42","slug":"cinerama-o-beco-do-pesadelo","status":"publish","type":"post","link":"https:\/\/jornalperiscopio.com.br\/site\/cinerama-o-beco-do-pesadelo\/","title":{"rendered":"Cinerama: O Beco do Pesadelo"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"945\" src=\"http:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/nightmare_alley_filmeguillermodeltoro-terror2021s-1400x945.png\" alt=\"\" class=\"wp-image-118984\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/nightmare_alley_filmeguillermodeltoro-terror2021s-1400x945.png 1400w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/nightmare_alley_filmeguillermodeltoro-terror2021s-700x473.png 700w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/nightmare_alley_filmeguillermodeltoro-terror2021s-768x518.png 768w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/nightmare_alley_filmeguillermodeltoro-terror2021s.png 1520w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><figcaption>Bradley Cooper \u00e9 protagonista de \u201cO Beco do Pesadelo\u201d (Foto: Divulga\u00e7\u00e3o)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-color has-background has-very-light-gray-color has-vivid-cyan-blue-background-color\"><em>Nightmare Alley, Suspense, 2021<\/em><br><strong>Dire\u00e7\u00e3o:<\/strong><em> <\/em>Guillermo del Toro |\u00a0Em cartaz no Top\u00e1zio Cinemas<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Nota:\u00a0<\/strong>\u2605\u2605\u2605 <strong>\u00bd<\/strong><\/h4>\n\n\n\n<p>Remake de um filme de 1947 (que por sua vez \u00e9 a adapta\u00e7\u00e3o de um livro de um ano antes, de autoria de William Lindsay Gresham), \u201cO Beco do Pesadelo\u201d \u00e9, basicamente, Guillermo del Toro prestando um tributo ao cinema <em>noir<\/em>. O filme recebeu quatro indica\u00e7\u00f5es ao Oscar 2022 (incluindo Melhor Filme).<\/p>\n\n\n\n<p>A trama acompanha o ambicioso Stanton Carlisle (numa atua\u00e7\u00e3o muito boa de Bradley Cooper), um homem que carrega dem\u00f4nios do passado e acaba indo parar num circo. L\u00e1 ele come\u00e7a a trabalhar, se interessar pela jovem Molly (Rooney Mara) e aprender mais sobre os truques de mentalismo \u2013 vendo, ent\u00e3o, uma possibilidade de ascens\u00e3o.<\/p>\n\n\n\n<p>E ela vem pouco tempo depois, quando passa a fazer shows para a alta sociedade em Nova York. Mas ele acaba esbarrando no caminho da psic\u00f3loga Lilith Ritter (Cate Blanchett, que nem de longe est\u00e1 em sua melhor interpreta\u00e7\u00e3o), que tenta desmascar\u00e1-lo e acaba fazendo parte de suas tramoias.<\/p>\n\n\n\n<p>O filme, que conta ainda com um bom elenco de apoio (com destaque para Toni Collette e Willem Dafoe, este \u00faltimo em mais uma atua\u00e7\u00e3o impec\u00e1vel), se divide em duas partes: a do circo e o suspense <em>noir<\/em>, na cidade. Isso faz com que o tom mude drasticamente \u2013 o que pode dividir opini\u00f5es.<\/p>\n\n\n\n<p>Sobre sua tem\u00e1tica, a obra se passa em meio \u00e0 Segunda Guerra Mundial, um per\u00edodo sombrio e de desesperan\u00e7a. Del Toro consegue refletir bem esse momento da humanidade em seu filme que, diferente de outros de sua autoria, n\u00e3o conta com criaturas monstruosas; em \u201cO Beco do Pesadelo\u201d, os monstros s\u00e3o nossos atos. N\u00e3o fosse t\u00e3o arrastado (poderia ter meia hora a menos tranquilamente), seria um baita filme.<\/p>\n\n\n\n<p class=\"has-text-color has-background has-very-light-gray-color has-vivid-cyan-blue-background-color\"><strong>STREAMING<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/STREAMING-800x1000.jpg\" alt=\"\" class=\"wp-image-118985\" width=\"203\" height=\"253\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/STREAMING-800x1000.jpg 800w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/STREAMING-400x500.jpg 400w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/STREAMING-768x960.jpg 768w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/02\/STREAMING.jpg 1200w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/><\/figure><\/div>\n\n\n\n<p><strong>King Richard: Criando Campe\u00e3s<\/strong><br>Will Smith d\u00e1 vida a Richard Williams, pai de Venus e Serena, duas das maiores jogadoras de t\u00eanis da hist\u00f3ria. Como toda biografia, o filme apela para o lado motivacional \u2013 \u00e0s vezes at\u00e9 demais, deixando de lado as nuances das jovens e promissoras atletas. Mas o foco \u00e9 mesmo a obstina\u00e7\u00e3o de Richard, encarnado com o carisma peculiar de Smith. O ator segura bem a produ\u00e7\u00e3o (que claramente \u00e9 burocr\u00e1tica, sem a m\u00e3o do diretor Reinaldo Marcus Green) juntamente com as jovens atrizes que vivem as tenistas, em especial Saniyya Sidney, int\u00e9rprete de Venus. O filme tamb\u00e9m acerta em, mesmo que discretamente, discutir o racismo nos EUA, lembrando os dist\u00farbios de Los Angeles em 1992 provocados pelo ataque de policiais a um homem negro. Mas ficou faltando aquele algo a mais na obra, que se escora mais no charme de Will Smith do que na hist\u00f3ria que quer contar. <em>Tem na HBO Max.<\/em> <strong>Nota:\u00a0<\/strong>\u2605\u2605\u2605<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Andr\u00e9 Roedel.<\/p>\n","protected":false},"author":7,"featured_media":118984,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[207,6],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinerama: O Beco do Pesadelo<\/title>\n<meta name=\"description\" content=\"Por Andr\u00e9 Roedel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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