{"id":121609,"date":"2022-05-09T17:49:57","date_gmt":"2022-05-09T20:49:57","guid":{"rendered":"http:\/\/jornalperiscopio.com.br\/site\/?p=121609"},"modified":"2022-05-09T17:49:59","modified_gmt":"2022-05-09T20:49:59","slug":"cinerama-aguas-selvagens","status":"publish","type":"post","link":"https:\/\/jornalperiscopio.com.br\/site\/cinerama-aguas-selvagens\/","title":{"rendered":"Cinerama: \u00c1guas Selvagens"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"788\" src=\"http:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-1400x788.jpg\" alt=\"\" class=\"wp-image-121610\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-1400x788.jpg 1400w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-700x394.jpg 700w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-768x432.jpg 768w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-1536x864.jpg 1536w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-300x169.jpg 300w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-128x72.jpg 128w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens-32x18.jpg 32w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/aguas-selvagens.jpg 1920w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><figcaption>Filme conta com brasileiros e argentinos no elenco (Foto: Divulga\u00e7\u00e3o)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-color has-background has-very-light-gray-color has-vivid-cyan-blue-background-color\"><em>\u00c1gua dos Porcos, Drama\/Policial, 2020<\/em><br><strong>Dire\u00e7\u00e3o:<\/strong> Roly Santos | Estreia dia 12 de maio nos cinemas<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Nota:&nbsp;<\/strong>\u2605\u2605\u2605<\/h4>\n\n\n\n<p>Mais uma coprodu\u00e7\u00e3o entre Brasil e Argentina a chegar em breve nos cinemas, \u201c\u00c1guas Selvagens\u201d acerta no tema e na ambienta\u00e7\u00e3o, mas peca na condu\u00e7\u00e3o da trama. Assim como <a href=\"http:\/\/jornalperiscopio.com.br\/site\/cinerama-como-matar-a-besta\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cComo Matar a Besta\u201d<\/a>, que resenhei recentemente, essa produ\u00e7\u00e3o se passa na fronteira entre os pa\u00edses. <\/p>\n\n\n\n<p>Novamente as diferen\u00e7as culturais s\u00e3o abordadas (o filme \u00e9 falado em espanhol e portugu\u00eas e conta com atores de v\u00e1rias nacionalidades), mas aqui os temas s\u00e3o mais pesados: pedofilia e tr\u00e1fico de crian\u00e7as. Nessa \u201cterra de ningu\u00e9m\u201d que \u00e9 a fronteira, um ex-policial (vivido por Roberto Birindelli) \u00e9 chamado para uma investiga\u00e7\u00e3o particular de um assassinato.<\/p>\n\n\n\n<p>Em meio a isso, ele come\u00e7a a se envolver com uma mulher misteriosa (interpretada por Mayana Neiva) e passa a ser alvo de poderosos locais. Apesar das boas atua\u00e7\u00f5es e escolhas do diretor Roly Santos, o filme perde muito por conta de um roteiro truncado e uma edi\u00e7\u00e3o que deixa a desejar. Isso faz com que a trama fique confusa, dispersando a aten\u00e7\u00e3o do espectador. <\/p>\n\n\n\n<p>Por tudo isso, \u201c\u00c1gua Selvagens\u201d n\u00e3o chega a ser marcante, mas tem como grande feito apostar num noir com toques latino-americanos. E \u00e9 bacana ver que, apesar dos pesares, a produ\u00e7\u00e3o cinematogr\u00e1fica regional vai se mantendo \u2013 e com a ajuda dos \u201chermanos\u201d.<\/p>\n\n\n\n<p>Com roteiro de \u00d3scar Tabernise,\u00a0\u201c\u00c1gua Selvagens\u201d\u00a0\u00e9 uma coprodu\u00e7\u00e3o entre Brasil e Argentina. Do lado brasileiro, a produ\u00e7\u00e3o \u00e9 assinada por Rubens Gennaro e Virg\u00ednia Moraes, da Laz Audiovisual, empresa curitibana respons\u00e1vel por \u2018Oriundi\u2019 (2000), \u2018Cafund\u00f3\u2019 (2006) e \u2018Anita e Garibaldi\u2019 (2013). Na Argentina, a produ\u00e7\u00e3o \u00e9 assinada pela Cooperativa Romana Audiovisual, de Buenos Aires. A Imagem Filmes \u00e9 a distribuidora respons\u00e1vel pelo lan\u00e7amento do longa no Brasil.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Andr\u00e9 Roedel.<\/p>\n","protected":false},"author":7,"featured_media":121610,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[207,6],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinerama: \u00c1guas Selvagens<\/title>\n<meta name=\"description\" content=\"Por Andr\u00e9 Roedel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jornalperiscopio.com.br\/site\/cinerama-aguas-selvagens\/\" \/>\n<meta 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