{"id":121824,"date":"2022-05-16T14:38:11","date_gmt":"2022-05-16T17:38:11","guid":{"rendered":"http:\/\/jornalperiscopio.com.br\/site\/?p=121824"},"modified":"2022-05-16T14:38:13","modified_gmt":"2022-05-16T17:38:13","slug":"cinerama-flee-nenhum-lugar-para-chamar-de-lar","status":"publish","type":"post","link":"https:\/\/jornalperiscopio.com.br\/site\/cinerama-flee-nenhum-lugar-para-chamar-de-lar\/","title":{"rendered":"Cinerama: Flee \u2013 Nenhum Lugar para Chamar de Lar"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"475\" src=\"http:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/Cinerama.jpg\" alt=\"\" class=\"wp-image-121825\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/Cinerama.jpg 720w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/Cinerama-700x462.jpg 700w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/Cinerama-300x198.jpg 300w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/Cinerama-128x84.jpg 128w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/Cinerama-32x21.jpg 32w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><figcaption>Document\u00e1rio noruegu\u00eas inova ao usar a anima\u00e7\u00e3o (Foto: Divulga\u00e7\u00e3o)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-color has-background has-very-light-gray-color has-vivid-cyan-blue-background-color\"><em>Flee, Document\u00e1rio\/Anima\u00e7\u00e3o, 2021<\/em><br><strong>Dire\u00e7\u00e3o:<\/strong> Jonas Poher Rasmussen | Em cartaz no Top\u00e1zio Cinemas<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Nota:\u00a0<\/strong>\u2605\u2605\u2605\u2605\u2605<\/h4>\n\n\n\n<p>O que \u00e9 lar? Dif\u00edcil definir uma palavrinha t\u00e3o curta, mas essa \u00e9 a pergunta que o document\u00e1rio \u201cFlee \u2013 Nenhum Lugar para Chamar de Lar\u201d faz ao seu protagonista \u2013 e aos espectadores tamb\u00e9m \u2013 logo de cara.<\/p>\n\n\n\n<p>Contando a jornada de um refugiado de guerra afeg\u00e3o que logo na inf\u00e2ncia se descobre gay, essa inusitada combina\u00e7\u00e3o de document\u00e1rio e anima\u00e7\u00e3o fez hist\u00f3ria no Oscar deste ano ao ser indicado nas duas categorias correspondentes e tamb\u00e9m na de Melhor Filme Internacional \u2013 uma pena n\u00e3o ter ganhado em nenhuma delas, pois foi um dos melhores filmes da premia\u00e7\u00e3o, disparado.<\/p>\n\n\n\n<p>Todos os percal\u00e7os vividos por Amin, de sua sa\u00edda de um Afeganist\u00e3o em guerra at\u00e9 chegar na Dinamarca (passando perrengues que v\u00e3o do tr\u00e1fico de pessoas a at\u00e9 se aceitar enquanto homossexual em uma cultura t\u00e3o conservadora), s\u00e3o contados com o afeto necess\u00e1rio para uma hist\u00f3ria t\u00e3o sofrida assim. A mensagem \u00e9 clara: a guerra deixa marcas para sempre, sejam f\u00edsicas ou mentais.<\/p>\n\n\n\n<p>O document\u00e1rio conta tudo isso sem soar piegas ou apelas para um sentimentalismo barato. O diretor Jonas Poher Rasmussen capta muito bem a ess\u00eancia da trajet\u00f3ria do afeg\u00e3o, tornando seu document\u00e1rio um retrato de humanidade que deve ser visto e revisto. No fim, a pergunta inicial \u00e9 respondida com do\u00e7ura: lar pode ser qualquer lugar, mas que tenha amor. E Amin, felizmente, encontrou isso.<\/p>\n\n\n\n<p class=\"has-text-color has-background has-very-light-gray-color has-vivid-cyan-blue-background-color\"><strong>STREAMING<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-714x1000.jpg\" alt=\"\" class=\"wp-image-121826\" width=\"149\" height=\"208\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-714x1000.jpg 714w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-357x500.jpg 357w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-768x1075.jpg 768w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-1097x1536.jpg 1097w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-214x300.jpg 214w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-91x128.jpg 91w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING-23x32.jpg 23w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/05\/STREAMING.jpg 1296w\" sizes=\"(max-width: 149px) 100vw, 149px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Sorte de Quem?<\/strong><br>Um homem invade a casa de veraneio de um bilion\u00e1rio, mas, quando estava pra sair, acaba se deparando com o dono e sua esposa. Ele ent\u00e3o precisa refazer o plano e a situa\u00e7\u00e3o acaba saindo do controle. \u201cSorte de Quem?\u201d tem uma premissa simples, com uma hist\u00f3ria contida e poucos personagens. E isso \u2013 juntamente com a clara refer\u00eancia ao cinema de Alfred Hitchcock \u2013 \u00e9 o suficiente para fazer o filme ser elegante e prender o espectador do come\u00e7o ao fim, levantando quest\u00f5es sociais durante seus di\u00e1logos bem escritos. Pra melhorar, o filme ainda conta com o \u00f3timo trio Jason Segel, Lily Collins e Jesse Plemons, que eleva sua qualidade. Vale a pena conferir. <em>Tem na Netflix<\/em>. <strong>Nota:\u00a0<\/strong>\u2605\u2605\u2605\u2605<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Andr\u00e9 Roedel.<\/p>\n","protected":false},"author":7,"featured_media":121825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[207,6],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinerama: Flee \u2013 Nenhum Lugar para Chamar de Lar<\/title>\n<meta name=\"description\" content=\"Por Andr\u00e9 Roedel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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