{"id":124316,"date":"2022-07-30T10:00:57","date_gmt":"2022-07-30T13:00:57","guid":{"rendered":"http:\/\/jornalperiscopio.com.br\/site\/?p=124316"},"modified":"2022-07-30T10:01:15","modified_gmt":"2022-07-30T13:01:15","slug":"cinerama-crimes-do-futuro-o-estranho-novo-filme-de-david-cronenberg","status":"publish","type":"post","link":"https:\/\/jornalperiscopio.com.br\/site\/cinerama-crimes-do-futuro-o-estranho-novo-filme-de-david-cronenberg\/","title":{"rendered":"Cinerama: &#8220;Crimes do Futuro&#8221;, o estranho novo filme de David Cronenberg"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"739\" src=\"http:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-1400x739.jpg\" alt=\"\" class=\"wp-image-124317\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-1400x739.jpg 1400w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-700x369.jpg 700w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-768x405.jpg 768w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-1536x811.jpg 1536w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-2048x1081.jpg 2048w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-300x158.jpg 300w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-128x68.jpg 128w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-32x17.jpg 32w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2022\/07\/Cinerama-9-390x205.jpg 390w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><figcaption>Viggo Mortensen e L\u00e9a Seydoux em cena no estranho filme (Foto: Reprodu\u00e7\u00e3o)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-color has-background has-very-light-gray-color has-vivid-cyan-blue-background-color\"><em>Crimes of the Future, Fic\u00e7\u00e3o cient\u00edfica\/Terror, 2022<\/em><br><strong>Dire\u00e7\u00e3o:<\/strong> David Cronenberg | Em cartaz no Top\u00e1zio Cinemas<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Nota:\u00a0<\/strong>\u2605\u2605\u2605\u2605\u2606<\/h4>\n\n\n\n<p>David Cronenberg est\u00e1 de volta. Diretor de cl\u00e1ssicos como \u201cA Mosca\u201d, \u201cCrash \u2013 Estranhos Prazeres\u201d e \u201cCalafrios\u201d, ele est\u00e1 de volta para um novo <em>body horror <\/em>que vem sendo aclamado pela cr\u00edtica especializada: \u201cCrimes do Futuro\u201d, que ser\u00e1 exibido pelo Top\u00e1zio Cinemas e j\u00e1 pode ser conferido via streaming, na MUBI Brasil. O filme traz Viggo Mortensen, L\u00e9a Seydoux e Kristen Stewart em uma trama estranha do come\u00e7o ao fim.&nbsp;<\/p>\n\n\n\n<p>E esse estranhamento \u00e9 proposital, faz parte da ess\u00eancia de Cronenberg. \u201cCrimes do Futuro\u201d mostra que, em um futuro pr\u00f3ximo, os humanos ter\u00e3o que aprender a conviver e se adaptar ao seu ambiente sint\u00e9tico. E o ambiente futur\u00edstico criado pelo diretor \u00e9 sujo, deprimente. <\/p>\n\n\n\n<p>Nesse cen\u00e1rio, j\u00e1 quem abra\u00e7a o \u201ctrans-humanismo\u201d, enxertando novos \u00f3rg\u00e3os em seus corpos, e outros que tentam polici\u00e1-lo. Saul Tenser (Mortensen) \u00e9 um artista mundialmente amado que abra\u00e7ou esse novo estado de ser, resultando em altera\u00e7\u00f5es no seu corpo. Junto com Caprice (Seydoux), ele transformou a remo\u00e7\u00e3o desses \u00f3rg\u00e3os em um espet\u00e1culo. Em meio a isso, uma subcultura surge e impacta a sociedade.<\/p>\n\n\n\n<p>O filme abre discuss\u00f5es sobre o que \u00e9 arte, o impacto da tecnologia em nossa sociedade e muitos outros questionamentos, contando com atua\u00e7\u00f5es impressionantes \u2013 principalmente de Mortensen. Mesmo com todo o estranhamento e cenas quase escatol\u00f3gicas, \u201cCrimes do Futuro\u201d \u00e9 um grande filme que merece a aten\u00e7\u00e3o de todo amante do cinema.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Andr\u00e9 Roedel.<\/p>\n","protected":false},"author":7,"featured_media":124317,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[207],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinerama: &quot;Crimes do Futuro&quot;, o estranho novo filme de David Cronenberg<\/title>\n<meta name=\"description\" content=\"Por Andr\u00e9 Roedel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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