{"id":150134,"date":"2025-07-23T15:06:48","date_gmt":"2025-07-23T18:06:48","guid":{"rendered":"https:\/\/jornalperiscopio.com.br\/site\/?p=150134"},"modified":"2025-07-23T15:07:25","modified_gmt":"2025-07-23T18:07:25","slug":"cinerama-apocalipse-nos-tropicos","status":"publish","type":"post","link":"https:\/\/jornalperiscopio.com.br\/site\/cinerama-apocalipse-nos-tropicos\/","title":{"rendered":"Cinerama | Apocalipse nos Tr\u00f3picos"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2025\/07\/Cinerama-3.jpg\" alt=\"\" class=\"wp-image-150135\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2025\/07\/Cinerama-3.jpg 1024w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2025\/07\/Cinerama-3-700x394.jpg 700w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2025\/07\/Cinerama-3-768x432.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-white-color has-vivid-cyan-blue-background-color has-text-color has-background has-link-color wp-elements-fd31d99e69fd7f5e53879c393cbb95d7\">Document\u00e1rio, 2025 | <strong>Dire\u00e7\u00e3o:<\/strong> Petra Costa | <strong>Classifica\u00e7\u00e3o indicativa: <\/strong>14 anos | <strong>Dura\u00e7\u00e3o:<\/strong> 1h50 | Dispon\u00edvel na Netflix<\/p>\n\n\n\n<p>Em \u201cApocalipse nos Tr\u00f3picos\u201d, Petra Costa retorna ao territ\u00f3rio pol\u00edtico-social brasileiro com a mesma assinatura est\u00e9tica e narrativa que marcou \u201cDemocracia em Vertigem\u201d, seu document\u00e1rio indicado ao Oscar. A cineasta prop\u00f5e um mergulho na perigosa interse\u00e7\u00e3o entre religi\u00e3o e poder, explorando como a ret\u00f3rica apocal\u00edptica do movimento evang\u00e9lico contribuiu para a ascens\u00e3o de Jair Bolsonaro e para o enfraquecimento das bases democr\u00e1ticas do pa\u00eds.\u00a0<\/p>\n\n\n\n<p>No entanto, apesar da premissa promissora, o document\u00e1rio por vezes se perde em caminhos j\u00e1 trilhados por sua obra anterior, soando mais como uma continua\u00e7\u00e3o emocional de seu lamento democr\u00e1tico do que como uma investiga\u00e7\u00e3o aprofundada do avan\u00e7o religioso sobre a pol\u00edtica.<\/p>\n\n\n\n<p>Embora o filme se anuncie como um retrato do poder crescente das lideran\u00e7as evang\u00e9licas, a figura de Silas Malafaia domina a narrativa de maneira talvez desproporcional &#8211; o que pode ser explicado por ter sido um dos poucos que permitiram acesso direto \u00e0 diretora. Essa escolha acaba por concentrar a representa\u00e7\u00e3o do fen\u00f4meno em um personagem espec\u00edfico, ofuscando a complexidade e diversidade do movimento evang\u00e9lico-pol\u00edtico no Brasil. Ainda assim, o document\u00e1rio tem m\u00e9ritos ineg\u00e1veis: momentos reais que beiram o terror &#8211; por sua carga simb\u00f3lica, agressividade ou potencial destrutivo &#8211; causam impacto e despertam o senso de urg\u00eancia.<\/p>\n\n\n\n<p>Petra continua afiada em sua constru\u00e7\u00e3o visual e na costura de arquivos com imagens atuais, e sua voz narrativa, mesmo criticada por alguns, carrega a for\u00e7a de quem viveu e sentiu o colapso institucional. \u201cApocalipse nos Tr\u00f3picos\u201d talvez n\u00e3o entregue a an\u00e1lise ampla que promete, mas funciona como alerta: um espelho sombrio do Brasil recente e um lembrete necess\u00e1rio de que o fundamentalismo religioso, quando aliado ao poder, pode ser um projeto de fim dos tempos &#8211; mas n\u00e3o no sentido b\u00edblico, e sim democr\u00e1tico.<\/p>\n\n\n\n<p><strong>Nota:\u00a0<\/strong>\u2605\u2605\u2605<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Andr\u00e9 Roedel.<\/p>\n","protected":false},"author":7,"featured_media":150135,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[207],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinerama | Apocalipse nos Tr\u00f3picos<\/title>\n<meta name=\"description\" content=\"Por Andr\u00e9 Roedel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jornalperiscopio.com.br\/site\/cinerama-apocalipse-nos-tropicos\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinerama | 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