{"id":154817,"date":"2026-03-18T16:09:38","date_gmt":"2026-03-18T19:09:38","guid":{"rendered":"https:\/\/jornalperiscopio.com.br\/site\/?p=154817"},"modified":"2026-03-18T16:09:55","modified_gmt":"2026-03-18T19:09:55","slug":"cinerama-frankenstein-atuacoes-exageradas-e-visual-artificial","status":"publish","type":"post","link":"https:\/\/jornalperiscopio.com.br\/site\/cinerama-frankenstein-atuacoes-exageradas-e-visual-artificial\/","title":{"rendered":"Cinerama | Frankenstein: atua\u00e7\u00f5es exageradas e visual artificial"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"608\" src=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/03\/Cinerama-1.jpeg\" alt=\"\" class=\"wp-image-154818\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/03\/Cinerama-1.jpeg 1080w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/03\/Cinerama-1-700x394.jpeg 700w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/03\/Cinerama-1-768x432.jpeg 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/figure>\n\n\n\n<p class=\"has-white-color has-vivid-cyan-blue-background-color has-text-color has-background has-link-color wp-elements-fe32b7afc8754f40f809db2aa986152f\">Terror\/Fic\u00e7\u00e3o cient\u00edfica, 2025 | <strong>Dire\u00e7\u00e3o:\u00a0<\/strong>Guillermo del Toro | <strong>Classifica\u00e7\u00e3o indicativa: <\/strong>18 anos | <strong>Dura\u00e7\u00e3o:<\/strong> 2h30 | Dispon\u00edvel na Netflix<\/p>\n\n\n\n<p><strong>NOTA: <\/strong>\u272a\u272a\u272a<\/p>\n\n\n\n<p>Adoro praticamente toda a cinegrafia de Guillermo del Toro. Diretor e roteirista de grandes obras como \u201cA Forma da \u00c1gua\u201d e \u201cO Labirinto do Fauno\u201d, o mexicano tem um estilo muito pr\u00f3prio, que j\u00e1 virou marca registrada. E ele emprega essa forma de fazer cinema \u00e0 exaust\u00e3o em \u201cFrankenstein\u201d, vencedor do Oscar em duas categorias t\u00e9cnicas (Melhor Cabelo e Maquiagem e Melhor Figurino) no \u00faltimo domingo.<\/p>\n\n\n\n<p>O filme foi o \u00faltimo dos indicados ao Oscar que assisti &#8211; s\u00f3 fui conferir poucas horas antes da premia\u00e7\u00e3o rolar nos EUA, coroando \u201cUma Batalha Ap\u00f3s a Outra\u201d e \u201cPecadores\u201d. Confesso que n\u00e3o estava muito interessado em ver mais uma releitura do cl\u00e1ssico romance de Mary Shelley, de 1818, ainda mais com a est\u00e9tica neog\u00f3tica de del Toro &#8211; que, repito, admiro, mas com parcim\u00f4nia. Especificamente neste filme achei o visual muito artificial, enquanto nos outros do cineasta o tom era mais elegante e natural.<\/p>\n\n\n\n<p>Ao longo de quase 2h30, acompanhamos o brilhante e egoc\u00eantrico cientista Victor Frankenstein (Oscar Isaac) que, movido por obsess\u00e3o, cria vida a partir de cad\u00e1veres, desencadeando um destino tr\u00e1gica para si e sua criatura (interpretada pelo gal\u00e3 Jacob Elordi). A trama do filme tem quase a mesma estrutura do livro, mas com algumas atualiza\u00e7\u00f5es.<\/p>\n\n\n\n<p>A principal mudan\u00e7a \u00e9 no foco mais emocional do filme, que aborda muito os conceitos de culpa, abandono e reden\u00e7\u00e3o. As motiva\u00e7\u00f5es e a origem de Elizabeth (Mia Goth) tamb\u00e9m mudam, assim como personagens novos s\u00e3o inclu\u00eddos (como um rico fabricante de armas vivido por Christoph Waltz) e outros s\u00e3o limados da hist\u00f3ria.<\/p>\n\n\n\n<p>Para al\u00e9m das mudan\u00e7as em rela\u00e7\u00e3o ao livro e da est\u00e9tica inconfund\u00edvel, o filme traz muitas atua\u00e7\u00f5es exageradas. Oscar Isaac vive o t\u00edpico cientista louco repleto de trejeitos, enquanto Christoph Waltz faz novamente um tipo afetado e peculiar, como outros tantos que j\u00e1 fez no cinema. As atua\u00e7\u00f5es que se destacam, na minha opini\u00e3o, s\u00e3o as de Jacob Elordi e Mia Goth, que possuem passagens muito interessantes e at\u00e9 tocantes.<\/p>\n\n\n\n<p>N\u00e3o t\u00e3o marcante quanto outras produ\u00e7\u00f5es de Guillermo del Toro, \u201cFrankenstein\u201d fica naquele limiar entre o bom e o for\u00e7ado, o bonito e o piegas. Independente do que voc\u00ea achar, uma coisa \u00e9 certa: \u00e9 imposs\u00edvel sair impass\u00edvel ap\u00f3s assisti-lo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Andr\u00e9 Roedel.<\/p>\n","protected":false},"author":7,"featured_media":154818,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[207],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinerama | Frankenstein: atua\u00e7\u00f5es exageradas e visual artificial<\/title>\n<meta name=\"description\" content=\"Por Andr\u00e9 Roedel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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