{"id":155380,"date":"2026-04-15T16:17:12","date_gmt":"2026-04-15T19:17:12","guid":{"rendered":"https:\/\/jornalperiscopio.com.br\/site\/?p=155380"},"modified":"2026-04-15T16:17:16","modified_gmt":"2026-04-15T19:17:16","slug":"cinerama-nuremberg-historia-otima-ritmo-lento","status":"publish","type":"post","link":"https:\/\/jornalperiscopio.com.br\/site\/cinerama-nuremberg-historia-otima-ritmo-lento\/","title":{"rendered":"Cinerama | Nuremberg: hist\u00f3ria \u00f3tima, ritmo lento"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"980\" height=\"550\" src=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/04\/Cinerama-1.jpg\" alt=\"\" class=\"wp-image-155381\" srcset=\"https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/04\/Cinerama-1.jpg 980w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/04\/Cinerama-1-700x393.jpg 700w, https:\/\/jornalperiscopio.com.br\/site\/wp-content\/uploads\/2026\/04\/Cinerama-1-768x431.jpg 768w\" sizes=\"(max-width: 980px) 100vw, 980px\" \/><\/figure>\n\n\n\n<p class=\"has-white-color has-vivid-cyan-blue-background-color has-text-color has-background has-link-color wp-elements-656310f61d049af2ee8da5715484ab75\">Drama hist\u00f3rico, 2025 | <strong>Dire\u00e7\u00e3o: <\/strong>James Vanderbilt | <strong>Classifica\u00e7\u00e3o indicativa: <\/strong>16 anos | <strong>Dura\u00e7\u00e3o:<\/strong> 2h29 | Em cartaz nos cinemas<\/p>\n\n\n\n<p><strong>NOTA: <\/strong>\u272a\u272a\u272a<\/p>\n\n\n\n<p>\u201cNuremberg\u201d se passa no p\u00f3s-Segunda Guerra, em 1945, na Alemanha, durante os julgamentos hom\u00f4nimos realizados pelas For\u00e7as Aliadas contra o regime nazista derrotado. A trama centra-se no psiquiatra americano Douglas Kelley (Rami Malek), designado a avaliar a aptid\u00e3o mental de 22 oficiais nazistas que se tornaram prisioneiros e aguardam seus julgamentos por crimes de guerra.&nbsp;<\/p>\n\n\n\n<p>Ao mesmo tempo, o promotor-chefe dos Aliados, Robert H. Jackson (Michael Shannon), fica encarregado da dif\u00edcil tarefa de garantir que o regime nazista responda pelos horrores sem precedentes do Holocausto. Quando Douglas Kelley se encontra com Hermann G\u00f6ring (Russell Crowe), o bra\u00e7o direito de Adolf Hitler, uma batalha interna se inicia, fazendo com que toda a sua intelig\u00eancia e ideologia sejam deixadas de lado para buscar entender a verdadeira origem e natureza do mal.<\/p>\n\n\n\n<p>O filme \u00e9 baseado no livro \u201cO Nazista e o Psiquiatra\u201d, escrito por Jack El-Hai, e explora bastante a ambi\u00e7\u00e3o de Kelley, que desde o come\u00e7o deixa claro que quer escrever um livro sobre sua avalia\u00e7\u00e3o dos nazistas e lucrar com isso. Por\u00e9m, \u00e0 medida que ele come\u00e7a a se aproximar mais daqueles homens, em especial G\u00f6ring, ele passa a enxergar as pessoas por tr\u00e1s dos t\u00edtulos que carregam, entrando na d\u00favida: por conta de seus terr\u00edveis atos, seriam eles mais ou menos humanos que o restante da humanidade?<\/p>\n\n\n\n<p>As atua\u00e7\u00f5es de Malek e Crowe s\u00e3o \u00f3timas e d\u00e3o o tom do filme, que tem uma fotografia propositalmente escura e intimidadora &#8211; assim como foram os julgamentos de Nuremberg. Michael Shannon n\u00e3o brilha tanto e o restante do elenco tem pouca participa\u00e7\u00e3o. O grande problema est\u00e1 no ritmo do roteiro, que acaba deixando o filme arrastado em muitos momentos, al\u00e9m de recheado de di\u00e1logos expositivos demais.<\/p>\n\n\n\n<p>A dire\u00e7\u00e3o de James Vanderbilt \u00e9 apenas ok, j\u00e1 que o filme se sustenta mais na ambienta\u00e7\u00e3o realista da hist\u00f3ria e na atua\u00e7\u00e3o de seus dois principais atores. Mas fica aquela sensa\u00e7\u00e3o de que a produ\u00e7\u00e3o poderia ir al\u00e9m, trazendo mais discuss\u00f5es sobre o conceito de mal e apresentando melhor todos os envolvidos naquele fat\u00eddico epis\u00f3dio. De todo modo, \u201cNuremberg\u201d \u00e9 um \u00f3timo registro audiovisual que refor\u00e7a a import\u00e2ncia de lembrar para n\u00e3o repetir as mesmas mazelas do passado.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Andr\u00e9 Roedel.<\/p>\n","protected":false},"author":7,"featured_media":155381,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[207],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinerama | Nuremberg: hist\u00f3ria \u00f3tima, ritmo lento<\/title>\n<meta name=\"description\" content=\"Por Andr\u00e9 Roedel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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